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#FeatureFriday: The mechanics of ‘Maw’ – Cinesite’s VFX ordeal for ‘Avengers: Infinity War’

Avengers: Infinity War was one nerve-jangling affair! And the Russo brothers, the directors, waste no time…

Review: Jurassic World: Fallen Kingdom—amalgamating two worlds

Before entering the screen-room; the expectation surges too high to be controlled but too fragile to…

Luma Pictures release VFX breakdown of car-chase sequence of ‘Black Panther’

Marvel’s Black Panther was a blockbuster movie in more ways than one. It didn’t just open…

‘Deadpool 2’ review: Craptacularly shambolic

When you’ve served the most delectable tortilla from a Michelin-starred Mexican tapas restro, you ought to…

‘Avengers: Infinity War’ review: Everything you hoped, nothing you expected

So the decade long journey that the famed Marvel Cinematic Universe traversed, comes down to this.…

BOT VFX signs Camille Geier as the executive producer

Camille Geier, popular name in the VFX industry, joins BOT VFX as the executive producer. She…

What went into the making of Wakanda by Industrial Light & Magic and Craig Hammack

Marvel’s Black Panther was a box office rage in more ways than one. The Ryan Coogler…

Crossover of ‘Scandal’ and ‘How to Get Away with Murder’ gets a creative touch from VFX Legion

Scandal and How to Get Away with Murder‘s stories unfold with the shoot done in LA, and set…

Jumbla creates living Pokies Parasite for Tasmanian TVC

Gambling plagued the working-class Tasmania. This fuelled the creation of Jumbla’s most recent animated TVC for…

How FuseFX brought the gore of ‘The Punisher’ to screens

Digressing from the norms of a conventional superhero genre, Marvel’s The Punisher offered a refreshing take…

How ILM Singapore shot the Battle of Crait in ‘Star Wars: The Last Jedi’

Even though the clips of Solo, the latest roll-out from the Star Wars juggernaut is doing…

How Iloura did the VFX creature work for ‘Jumanji: Welcome to the Jungle’

Of all things, if there’s one that Jumanji is know so much for, then it’s the…

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