Are the Oscars obsessed with…

Ever since the category for the best VFX work was created for the Oscars, space-oriented cinema…

‘Leaping Windows’: A cafe accompanied…

Strolling across the fag end of West Mumbai’s Yari Road, an upscale vicinity of Versova, my…

‘Gully Boy’ Review: Blazing through…

Through bambaiya vernacular, the clandestine operation of motor theft and Murad’s critique of the superficiality of the…

Netflix’s Largesse: a nod to…

Netflix opened with an explosion of promise especially for VFX-rich content as is evident from the…

Framestore wants to develop the…

As part of a drive to attract the best local talent, Oscar-winning creative studio Framestore partnered…

Veterans from redchillies.vfx share their…

Indian cinema has gone from strength to strength with nuances of VFX helping the filmmakers to…

All you want to know…

Simmba‘s rage has swept over the nation like wild-fire, still going strong into its third week. One…

‘Mortal Kombat 11’s character Geras’…

Fans are buzzing with excitement as Mortal Kombat 11 has brought back the legends of the…

How VFX revolutionised storytelling in…

The year 2018 swished myriad brushstrokes on the canvas of the Entertainment Industry in the past…

‘The Promised Neverland’ Anime Premiere…

Finally the much-awaited The Promised Neverland anime series has arrived and its already become a rage…

Breaking: India Gold Winner for…

In a first, the India gold for Digicon 6 Awards has been awarded the grand prize.…

From lyric videos to ad…

The first thing you notice when you enter Supari Studio’s office in Juhu Scheme, Mumbai, is…

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