VFX studio – Double Negative
Another one of Christopher Nolan’s masterpieces, Interstellar delivered stunning imagery. Reversing the process, Double Negative created the effects first instead of adding them later which allowed digital projectors to display them behind the actors, dispensing away with green screens.
Ex Machina (2015)VFX Studio – Double Negative Instead of using motion tracking or green screen, Double Negative studios opted for body tracking and rotoscoping to deliver convincing results. The Jungle Book (2016) VFX Studio – The Moving Picture Company and Weta Digital Using CGI and motion capture, they gave an anthropomorphic twist to the animals. Judiciously integrating human features into animated characters. Blade Runner 2049 (2017) VFX Studio – BUF, Atomic Fiction, Double Negative, Framestore, MPC, Territory Studio, UPP & Weta Digital worked VFX for this movie. The digital wizardry comprised of the intersection of practical miniatures, concept design work, large-scale CG environment builds and some challenging animation work. The collaborative effort delivered a breathtaking.imagery. The movie paid respectful homage to the original cinema classic.
First Man (2018)
VFX Studio – Double Negative.To bring mankind’s most famous accomplishment to the big screens, VFX technicians used a combination of NASA’s archival footage, miniatures, and giant LED screens to deliver a seamless spectacle of the iconic Apollo 11 Mission Bucking the trend of green screens, cinematographer used LED screen to play background visuals. This allowing filmmakers to use a more accurate and seamless background. We hope the giant leaps VFX scene has made at the Oscars illuminate the imaginations of other filmmakers, leading to more visually-pleasing and groundbreaking movies in the years ahead.