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Zebu Animation Studios, DATSI, and Frameboxx launch Frameflixx, a studio-led program where students create films, not just study animation

As the Indian animation and AVGC ecosystem develops, a recurring concern continues to surface across studios and classrooms. While technical skills are improving, exposure to filmmaking processes, authorship, and finishing discipline remains limited. To address this, Zebu Animation Studios, DATSI School for Storytellers, and Frameboxx have announced Frameflixx, a collaborative initiative focused on the practice of making animated films.

Frameflixx is based on a clear premise: students learn animation by developing and producing films. Rather than separating skills into isolated modules, the programme follows a studio‑style pipeline covering story and screenplay development, pre‑production across departments, animation in structured passes, and post‑production involving lighting, sound, editing, and final delivery. The focus is on process, decision‑making, and the responsibility of completing work, rather than speed or polish.

Zebu’s involvement reflects the studio’s view that strong animation arises from taste, clarity of intent, and authorship rather than tools alone. The leadership has emphasised the need for artists who understand the reasons behind creative choices in staging, timing, or performance, and who can think beyond execution. Frameflixx carries this approach into a learning context, treating filmmaking as a discipline rather than a showcase exercise.

DATSI’s role brings an educational perspective rooted in practice and ethics. Conceived as a talent incubation space rather than a conventional institute, DATSI approaches learning through doing, failing, revising, and reflecting. Within Frameflixx, students are introduced to professional expectations gradually and responsibly, balancing curiosity with rigour and guidance with accountability. The aim is to help learners build creative confidence without offering false assurances about outcomes.

As the collaborating partner, Frameboxx translates this shared intent into structure. Drawing on its experience in creative education and programme execution, Frameboxx supports the operational framework of Frameflixx, ensuring continuity, scalability, and discipline while allowing the creative direction and standards to remain intact. The collaboration is intended to function as a working ecosystem rather than a symbolic association.

Within the programme, students work in small production units under discipline‑specific mentors and take part in regular review and critique sessions. The repeated cycle of feedback, independent work, and iteration reflects studio environments, reinforcing the point that filmmaking is not about individual talent alone but about collaboration, patience, and sustained attention.

At a broader level, Frameflixx reflects a shared view across the collaboration that the future of Indian animation depends on how early creators are entrusted with responsibility, process, and authorship. Rather than promising placement or rapid outcomes, the initiative positions itself as a preparation ground, one that respects the complexity of animated filmmaking and invests in long‑term creative strength.

In a landscape increasingly shaped by speed and scale, Frameflixx emphasises that meaningful animation is built gradually through presence, discipline, and a commitment to telling stories frame by frame.

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