20 June 2008
1:25 pm
 


 
Film Review: Persepolis

Directed by: Vincent Paronnaud and Marjane Satrapi
Distributed by: Sony Pictures Classics

Persepolis: a triumph in animation
By SAHIRR SETHHI
Persepolis is a rare animated-autobiographical-political feature, based on Marjane Satrapi's graphic novels going by the same name. The film takes one through the childhood and coming of age of the protagonist, Marjane herself. Living in an era of social commotion and change, young Marjane or Marji, a bright and mouthy nine-year-old girl with a crazy sense of imagination witnesses Iran's transformation as it overthrows the dictatorship of the Shah, only to be weighed down by Islamic fundamentalists followed by a gruesome war with Iraq.

The film presents the viewers with a host of engaging sequences. Particularly, the ones where Marji discovers Iron Maiden tapes in the black market and then her come-back from a depression singing 'Eye of the tiger' from Rocky. Then there are a few of beautifully crafted characters, which provide the film a new dimension of expression and also help the audience identify with them at a personal level. Marji's grandmother, a wise and witty woman who becomes her confidante and philosophical guiding force, proves to be a character that personifies hope and dignity in turbulent times. As Marji matures, she learns to keep her advice that there is nothing more important than a person's dignity and being true to oneself, which sets her off to a quest of self expression.

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Persepolis as a film works at many levels, since it is more than just a story of a young girl in difficult times, but also a social commentary and exposition of the lesser known Iran. The very title Persepolis is derived from the sixth century Persian capital founded under Darius. It brings to light the lesser known grandeur of the Iranian culture and history, a perspective aloof from the current perceptions of Iran as a nation marked by terrorism and religious fanaticism.

The film has been directed by Vincent Paronnaud and Marjane Satrapi, and this is their debut film. The duo has also scripted the film jointly and has done a marvelous job with the screenplay by picking the right incidents to propel the story further seamlessly. Even when the story meanders into the coming of age zone from the political arena, the humour and eventful life of Marji don't lose the grip over the viewer.

The film is a visual spectacle. The animation sticks to the same illustration style as in the graphic novel. And even though almost the entire movie is in black and white and 2D, the film exhumes freshness and a unique stylistic approach. As far as the music is concerned, it builds up the mood and adds zing to the visuals.

Persepolis is a triumph of animation as a medium of storytelling. It's difficult to imagine whether the film would have had the same impact had it been a live action feature. The film follows a wry, funny and sometimes dark narrative of personal experiences of Marji, something rarely seen in animated films.

Kudos to Marjane for baring her exciting and eventful life on screen to tell us a story of self discovery, hope and Iran.

(The film has been released in Mumbai, Bangalore and Delhi, and will be screened at PVR cinemas)

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