Digital
Asia School of Animation's (DASA) Pune centre conducted a day-long
workshop for animators and animation students on May 31, 2008. The
highlight of the workshop was an interactive session with Animation/VFX
pioneer, Crest Animation Studios and RichCrest Animation Founder Shyam
Ramanna. DASA was founded in 2003 in Thailand and is upholded by Shyam
Ramanna. He handled a barrage of questions from the 300-strong crowd
with panache evoking a very good response from the audience who lined
up after the session to meet him personally.
Rahul
Mistry, a fine arts student told AnimationXpress.com,
"I am glad I came for the workshop. Shyam Ramanna’s expert
and frank advice has inspired me to join an animation course soon,
something that I was confused about."
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Later
in the day Dhiraj Shrivastava from DASA conducted a live demonstration
of Matte Painting which was well received by the audience. The electronic
band Tatva Kundalini ended the day some rousing music.
After
its inception in 2003 with an intention to provide talented artists
to Digital Asia Concepts Limited (DACL), Thailand founded by Ramanna,
DASA now has established its Indian head office at Pune and a company
branch at Ahmedabad.
DASA
Pune Co-founder Nikhil Bhagat said, “We are proud to have the maestro
himself with his vast production knowledge which forms the backbone
of DASA. Shyam Ramanna's constant support and vital inputs are crucial
in providing a strong leverage to the company. DASA was established
to provide quality animators to the production house DACL in Thailand.
Ramanna has trained animators at DASA Thailand himself and his students
are either working all over the world or have started their own
production houses."
Following
are excerpts from Shyam Ramanna's responses to students' queries
during the Q&A session:
Animation
as a career:
Animation
can do a great many things. DASA Thailand students have worked on
the recently completed Dubai Land cinematic walkthrough Project
at DACL. They couldn't build a city without animation, as all the
blueprints for the city were made using animation, right down to
the minutest detail – the cars, furniture and people. There is a
lot of activity in the television, advertising and film industries
and special effects, computer graphics and animation are now an
integral part of these mediums.
Animation
in India:
We
started animation with antique computers but we loved our work.
Animation is perhaps the only career where you can sit in front
of a PC and create wonderful designs and characters without any
raw materials, using only your imagination. There is nothing like
doing animation in India – most of the time you animate – you do
it for the world.
On
Gaming:
Gaming
is very big and difficult too! There is a lot of competition right
now. The career course provided at DASA on animation also prepares
a student to apply for game design and game animation jobs.
Animation
Education:
I am
now moving to the education side of animation. I want India to be
the hub for 3D animation. We have only about 600 real animators,
though we need many more. India is being looked upon as a major
source for digital content service provider because of its abundance
of talent at cheaper costs as compared to the world. An Indian animator
costs one-tenth of that in the US. Though we do have major competition
from the Chinese who are famous for their very cheap labour, but
we have an edge over them as they have to translate all the software
into Chinese before they can even start. According to the recent
reports they seem to be learning the language very fast. Hence we
need to plan our strategies very vigilantly.
Tools
and software:
Don’t
get stuck to a software. All major 3D software work more or less
the same way. Software like Autodesk 3DS Max and Maya do good work.
Maya is most widely used in India because of its robust nature.
There are many free tools too. Go to the internet and look for simpler,
new software if you need to get started.
Every
software has its own pros and cons. Some software give the best
results for a specific task in a production pipeline; so I may prefer
Softimage XSI over Maya as I can work with it more comfortably.
For animation, I might also use Motion Builder which is real-time
software. I don’t have to render to playback the animation.
On
clay animation:
3D
animation can now have up to 95 per cent of feel of clay animation
but there is a market for clay animation, especially in the advertising
industry.
DASA's
initiatives:
In
DASA, just to create realistic models or character motion, we send
people to the zoos to observe the animals and their behaviour.
DASA
will take initiative and have a degree course in Animation in a
year or two.
DASA
will soon have training in motion capture in India. It is already
setup in its Thai office.
Upcoming
projects:
Crest
is working on five Hollywood feature films including a co-production
with Lionsgate.
Animation
films in India:
There
are certain difficulties in cost recovery when it comes to the Indian
market as the viewing market is still small. 3D films are easy but
expensive to make as compared to 2D.
Maya
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work is assessed & Certified by
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Tel:-91-22-26731145-8,
Fax: 91-22-6730961
Website:
www.maacindia.com email: info@maacmail.com
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Maya
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Visitor
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India's largest Digital Media training college ICAT invites
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We've
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