An
animation powerhouse, Ashish Kulkarni has been in the animation business
for over a decade and is one of the most active personalities of the
Indian Animation Industry. In December 2005, he told AnimationXpress.com,
"What I really foresee is that there would emerge a few big studios
that would get into feature film production by the end of 2006 and
early 2007. I foresee that as a bright future for the Indian Animation
Industry & the beginning of a new era." Indeed. We now have
this prophetic mover and shaker share insights with us on the extremely
interesting subject of Intellectual Property.
Guest
Column: Expert Speak
Indian Animation IP: creation and challenges
By
Ashish SK
CEO, BIG Animation (I) Pvt Ltd
(6
May 2008 03:10 pm)
Intellectual
property (IP), original content and pre production are buzzwords doing
rounds of Indian animation circles these days. These terms are generally
used synonymously. However, there is a significant difference between
them. While pre production can also be part of an animation process
outsourcing deal, the skills required to do original content creation
are fast developing in India. On the other hand, IP development and
ownership patterns are still evolving. Definitely, the fast growing
original content skills will eventually result into IP ownership,
whereby studios would be able to build valuation over a period of
time.
In
the last few years, we have seen the evolution of a short film culture
in India. The short film culture takes a long time to develop, but
holds the key to original content creation. Whatever the duration
of a short film, it provides a creative team with the opportunity
to be involved in all aspects of filmmaking: ideation, designing,
scripting and the screening. In the process, a creative team is
exposed to various challenges. Having been on the jury of Golden
Cursor Awards this year, I have seen some of the best styles adapted
in contemporary forms of animation in 2D, 3D and experimental animation.
It is truly the beginning of original content creation in India.
I only wish that the broadcasters take these films to the audience
and give them the desired exposure. Most short films are made as
part of show reels or demos. The least one could do, is give exposure
to these unique animated short films. Aspects crucial for the development
of original content include the story line, treatment, design, execution,
voice casting, effects and music.
The
future of Indian Animation lies in evolving a model which will be
a right blend of animation process outsourcing and original content
creation. Systematic planning will result in the development and
retention of IP, thereby creating value for content in the long
term. Indian artists will have to be nurtured, to give a fillip
to the development of original content. I feel that the time has
come to include Indian culture and heritage, world history and the
English language as part of the animation curriculum. Another important
ingredient of the education process is training in soft skills.
The present education system is not encouraging enough to result
in creative development at the cognitive level. Steps need to be
taken to modify the curriculum to meet global standards, in the
creative and technical sectors. This will ensure the future of original
content creation and IP in India.
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The
rich Indian culture and heritage warrants representation in the
new age formats. Especially since the animation form ensures a long
shelf life for the content. The only way India can make a mark in
the global markets is by designing compelling storytelling systems
and setting high quality standards at every level, from ideation
and scripting to the execution. Animation production pipelines will
have to be constantly fine-tuned to balance creative skills with
high-end technical support. Pressures on original content creators
are very high, as they have to do justice to the 5,000 year-old
heritage on one hand and a successful live-action format in India,
on the other.
A right
animation product starts with the designing and scriptwriting processes.
Writing for animation is quite different from writing for live-action,
even the script-to-screen production process needs a lot of patience.
For original animation content to be successful; we need to develop
storytelling, scriptwriting and voice talent besides nurturing character
designers, colour stylists, story board artists, animators, texturing
and lighting artists, compositors and editors. The need is to find
a constant flow of good subjects to entertain the Indian audience
and the Diaspora with newer animation content, in the language that
they are comfortable with. By default, animation in India is presently
positioned as entertainment for kids. We will have to make great
efforts to achieve the right positioning in the family entertainment
and adult entertainment spaces. Indian animation IP has acceptance
from the Diaspora, but needs to make inroads in the global markets.
Original
content creation in animation and retention of IP rights to create
value for the long term, will still remain a difficult thing. But
those who believe in creating Indian Animation IP will live longer.
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