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"Both
in the art as well as in the animation, I have tried to give
a unique Chinese style to The Legend of Shangri La"
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Prod
specs for legend of Shangri-la
The whole production is around 15 minutes, with 18 characters and
13 scenes and over 300 shots. I am the director and art director
for this film.
When
the movie was conceived, how many people worked on it and for how
many days.
"The Legend of Shangri-la" was produced based on the prose
entitled " Peach Blossom Garden" by Tao Yuanming, the
famous proser and poet of East Jin Period (prox. 1600 years ago).
The movie was conceived in Sept 2009. Nearly 30 CG artists involved
in the pre-production, production of the film for 6 months.
Comments on the art direction
To best present the rich folk custom and ideal life of the people
over a thousand year ago, we chose to use traditional Chinese art
forms for the art direction of this film; Shangxi Shadow Puppet,
a very popular traditional performing art form in North West of
China, as reference for characters, combined with modern advanced
CG technology of EFX, thus set the style of the movie as it is now.
The
whole set-up of the film is between realistic and artistic. I decided
to make the best use of modern CG technology in details, such as
water, ripple, falling peach blossons and flickering grass. With
traditional Chinese art harmoniously blended with CG elements, I
tried to break the limitation the pure traditional painting and
provide a brand new visual experience to the audience.
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In
1956, when the first colored animation short "Why is Crow Black"
produced by Shanghai Art Film Studio won an international award,
it was very abjective that the jury thought the winning film was
produced in Russia by mistake because of the style of the film.
Through this misunderstanding, Chinese animation artists learned
that pure imitation of animation of other countries would not benefit
the development of Chinese animation. China should has its own style
of animation. Therefore, when I decided the whole style of "The
Legend of Shangri-la", I ensured that this film itself would
impress the audience that It is a Chinese film.
Your
comments on how you feel after winning
I am
very honured that the Jury of Digicon 6+2 granted this award to
us. We will also submit this film to other internatioanl awards
and festivals so that more poeple can see this film and further
exchange their expereince with us. I wish "Digicon 6+2"
becomes a bigger and more influential award in Asia and in the world.
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