Last
month Ace Animation director Vaibhav Kumaresh returned from his 3
month trip to Belfast, Ireland where he was invited by Irish animation
studio flickerpix to direct 'Horn OK Please' a stop motion
animation short. His visit also included a short 3 day trip to the
famous Aardman studios.
Vaibhav shares a 'first person account' with Animation 'xpress
readers.
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Vaibhav
Kumaresh
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"Let
me begin by giving you a short brief about myself. I am a fine arts
graduate that joined the National Institute of Design, Ahmedabad
in 1995 for the course in Animation Film Design. That's when I was
introduced to animation! Thereon it was an action-packed exciting
two and a half years of exploring the medium of animation and myself.
Once out of the NID, I joined Famous Studios in Mahalaxmi, and was
one of the key members involved in building their animation studio.
Five years at Famous gave me enough time to put my learning into
practice and learn even more. I got to produce animation films of
various kinds and in different mediums, got to work with teams,
manage projects and clients. Most important, i got to introduce
clay animation as a successful animation medium in the Indian animation
industry.
In 2003, my wife Suranjana and I setup our own animation studio:
Vaibhav Studios. I can very confidently say that over the past 2
years, we along with our team members have created some of the best
and most entertaining Indian animation films.
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Joel
Simon at work - Horn OK Please
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Last
year, Joel Simon, Director, Flickerpix Ltd.: a clay animation studio
in Belfast, Northern Ireland contacted us for his next clay animation
short film titled 'Horn Ok Please'.
He had seen our work and wanted us to direct the animation for his
film. We were very much honoured and at the same time, it was a
big responsibility. We had to go to Ireland, as the entire production
would have to take place over there! It was a brilliant opportunity
for us to showcase our talent abroad and vice versa. Although we
had produced animation films for clients abroad, we had always carried
out the production in India. This would be a new experience for
us: new work environment, new approaches to filmmaking, new people,
new processes, and of course a new place! Suranjana and I went there
for a period of 3 months (we didn't want to be absent from Mumbai
for longer than that!).
'Horn
Ok Please' co-funded by the British Council Northern Ireland, the
Irish Film Board and Flickerpix Ltd., is planned to be a 5 min short
clay animation film about a Mumbai Taxi driver! The film was planned
as a fusion of animated clay models, hand drawn 2D and computer
generated 3D backdrops. Production began in early March 05 and the
film is expected to be completed by September 05.
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Heads
cast in Resin
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The
team was a fusion of Irish, British and Indian talents! Joel has
co-scripted the film with Scott Boldt and is also directing it.
Apart from supervising the overall production, Joel would also light
up the models and animate the puppets. Robin McFarland the in-house
model maker and set designer built the miniature taxi in which a
majority of the film is set. He also handled the model making and
additional props and accessories. Suranjana, a product designer
by profession, created all the miniature props and accessories used
by the characters. Jasbeer, an animation trainee also from India
handled the compositing, camera and light setups.
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Palzor
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Palzor,
another animation student from India is currently creating the hand-drawn
backgrounds for the film along with Dean who is helping out with
building the computer generated 3D environments. Ian Palmer a local
sound engineer would handle the sound design for the entire film,
while the music for the film is yet to be scored by a renowned composer
in Belfast.
I involved myself in the entire process, supervising the visual
scripting of the film, designing the characters of the story, animatics,
model making, dialogue recordings, the animation direction as well
as key animation. My main interest was in performing and experiencing
the entire process in a new environment and I tried my best to do
so in the 3 months that we had.
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At
Aardaman : Suranjana, Vaibhav, Tom & Mikey
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Halfway
through the project in Belfast, I got some exciting news. Tom Gasek,
a senior visiting animator with the Aardman animation studios had
invited Suranjana and me over to Bristol to show us around the Aardman
Studios and also introduce us to the people there! As most of us
know, Aardman animation is one of the best animation studios in
the world, specializing in clay animation. They have 3 Oscars to
their credit and to this day, they create films of the highest quality
with the help of utmost passion and involvement. It was a great
opportunity and honour for us to interact with the best and see
them in action! We spent three days visiting the various studios
that Aardman has within Bristol, getting a detailed insight into
their work process and discussing work with the crewmembers. We
also had time for lengthy discussions with Tom. It was extremely
inspiring and motivating to see such a huge organization approach
their work with such passion and involvement. No wonder they are
the best in the world.
Back
in Belfast, the process was just getting more interesting. Different
parts of the film were coming together and taking shape. Our three-month
period was also nearing completion. My main task now was to animate
as many shots as possible before I left. I also made my notes and
sketches for the remaining shots for Joel and the other animators
to follow after I had left.
Our UK trip was a memorable experience: just what we had expected.
It was a very successful collaboration and I am sure it will open
up avenues for more Indian animation folks to contribute to international
projects. I am sure there was a lot of learning on both sides. I
was very happy with output we created and I hope they were too!
I sincerely wish the entire team all the very best with the remaining
bit of the film and hope that the final product will make us all
proud.
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